Six script
ACT ONE
#0 ā Prelude (Instrumental)
(A harpsichord entertains the arrival of the public. In the piece that is interpreted you can recognize themes of the pop stars of the moment. This āmedleyā evolves to the historical well-known song āGreenslevesā, to give way to:)
#1 ā Ex-Wives (All)
(An explosion makes the room darken. The curtain gets parted and six women appear amidst mist and a big flash of light. The flash turns off, and:)
ARAGON:
Divorced
BOLEYN:
BEHEADED
SEYMOUR:
DIED
CLEVES:
DIVORCED
HOWARD:
BEHEADED
PARR:
SURVIVED
ARAGON: And tonight, _________, we areā¦
ALL:
LIVE
ARAGON:
LISTEN UP, LET ME TELL YOU A STORY
BOLEYN:
A STORY THAT YOU THINK YOUāVE HEARD BEFORE
SEYMOUR:
WE KNOW YOU KNOW OUR NAMES AND OUR FAME AND OUR FACES
CLEVES:
KNOW ALL ABOUT THE GLORIES AND THE DISGRACES
HOWARD:
IāM DONE āCAUSE ALL THIS TIME IāVE BEEN JUST ONE WORD IN A STUPID RHYME
PARR:
SO I PICKED UP A PEN AND A MICROPHONE
ALL:
HISTORYāS ABOUT TO GET OVERTHROWN
ARAGON:
DIVORCED
BOLEYN:
BEHEADED
SEYMOUR:
DIED
CLEVES:
DIVORCED
HOWARD:
BEHEADED
PARR:
SURVIVED
ALL:
BUT JUST FOR YOU TONIGHT
WEāRE DIVORCED, BEHEADEDā¦ LIVE!
WELCOME TO THE SHOW, TO THE HISTO-REMIX
SWITCHING UP THE FLOW AS WE ADD THE PREFIX
EVāRYBODY KNOWS THAT WE USED TO BE SIX WIVES
RAISING UP THE ROOF āTIL WE HIT THE CEILING
GET READY FOR THE TRUTH THAT WEāLL BE REVEALING
EVāRYBODY KNOWS THAT WE USED TO BE SIX WIVES
BUT NOW WEāRE EX-WIVES
ARAGON: _________, make some noise!
ARAGON:
ALL YOU EVER HEAR AND READ ABOUT
BOLEYN:
IS OUR EX AND THE WAY IT ENDED
SEYMOUR:
BUT A PAIR DOESNāT BEAT A ROYAL FLUSH
CLEVES:
YOUāRE GONNA FIND OUT HOW HE GOT UNFRIENDED
HOWARD:
TONIGHT WEāRE GONNA DO OURSELVES JUSTICE
āCAUSE WEāRE TAKING YOU TO COURT
PARR:
EVāRY TUDOR ROSE HAS ITS THORNS
AND WEāRE GONNA HEAR āEM LIVE IN CONSORT
ARAGON:
DIVORCED
BOLEYN:
BEHEADED
SEYMOUR:
DIED
CLEVES:
DIVORCED
HOWARD:
BEHEADED
PARR:
SURVIVED
ALL:
BUT JUST FOR YOU TONIGHT
WEāRE DIVORCED, BEHEADEDā¦ LIVE!
WELCOME TO THE SHOW, TO THE HISTO-REMIX
SWITCHING UP THE FLOW AS WE ADD THE PREFIX
EVāRYBODY KNOWS THAT WE USED TO BE SIX WIVES
DANCING THROUGH THE NIGHT TILL THE BREAK OF DAY
ONCE WEāRE DONE WEāLL START AGAIN AS ITāS THE RENAISSANCE
EVāRYBODY KNOWS THAT WE USED TO BE SIX WIVES
BUT NOW WEāRE EX-WIVES
ARAGON: (alluringly) Remember us from your PBS?
OTHERS:
DIVORCED
ARAGON:
MY NAMEāS CATHāRINE OF ARAGON,
WAS MARRIED TWENTY FOUR YEARS, IāM A PARAGON OF ROYALTY
MY LOYALTY IS TO THE VATICAN, SO IF YOU TRY TO DUMP MEā¦
YOU WONāT TRY THAT AGAIN
OTHERS:
BEHEADED
BOLEYN:
IāM THAT BOLEYN GIRL AND IāM UP NEXT
SEE, I BROKE ENGLAND FROM THE CHURCHā¦ YEAH, IāM THAT SEXY
WHY DID I LOSE MY HEAD? WELL MY SLEEVES MAY BE GREEN
BUT MY LIPSTICKāS RED
OTHERS:
DIED
SEYMOUR:
JANE SEYMOUR, āTHE ONLY ONE HE TRULY LOVEDā
OTHERS:
RUDE
SEYMOUR:
WHEN MY SON WAS NEWLY BORN I DIED
BUT IāM NOT WHAT I SEEM, OR AM I?
STICK A ROUND AND YOUāLL SUDDENLY SEE MOREā¦
OTHERS:
DIVORCED
CLEVES:
ICH BIN ANNA OF CLEVES
OTHERS:
JA?
CLEVES:
WHEN HE SAW MY PORTRAIT, HE WAS LIKE
OTHERS:
āJA!ā
CLEVES:
BUT I āDIDNāT LOOK AS GOOD AS I DID IN PICā
FUNNY HOW WE ALL DISCUSS THAT BUT NEVER HENRYāS LITTLE PRā¦
HOWARD:
PRICK UP YOUR EARS, IāM THE KATHāRINE WHO LOST HER HEAD
OTHERS:
BEHEADED
HOWARD:
FOR MY PROMISCUITY OUTSIDE OF WED
(HOWARD)
LOCK UP YOUR HUSBANDS, LOCK UP YOUR SONS,
K HOWARD IS HERE AND THE FUNāS BEGUN
OTHERS:
SURVIVED
PARR:
FIVE DOWN, IāM THE FINAL WIFE
I SAW HIM TO THE END OF HIS LIFE
IāM THE SURVIVOR CATHāRINE PARR
I BET YOU WANNA KNOW HOW I GOT THIS FAR
I SAID, I BET YOU WANNA KNOW HOW WE GOT THIS FAR
ALL:
DO YOU WANNA KNOW HOW WHE GOT THIS FAR? THEN
WELCOME TO THE SHOW, TO THE HISTO-REMIX
SWITCHING UP THE FLOW AS WE ADD THE PREFIX
EVāRYBODY KNOWS THAT WE USED TO BE SIX WIVES
TURN THE BEAT UP GET THIS PARTY BUZZINā
YOU WANT A QUEEN BEE? WELL, THEREāS HALF A DOZEN
EVāRYBODY KNOWS THAT WE USED TO BE SIX WIVESā¦
BUT NOW WEāRE EX-WIVES
ONE, TWO, THREE, FOUR, FIVEā¦ SIX!
#1a ā Ex-Wives Reprise (Instrumental)
CLEVES: _________, how are you doing tonight?
(audience reaction)
BOLEYN: We said, how are you doing tonight?
(audience reaction)
SEYMOUR: We areā¦
ALL:
SIX
SEYMOUR: And welcome to our āDivorced, Beheaded, Liveā tour!
(audience reaction)
HOWARD: _________, weāve got a whole lot in store for you tonight.
ARAGON: Thatās right Girl, weāve got riffs to ruffle your ruffs! (ARAGONās ad lib.)
PARR: Shimmies to shake up your chemise.
(They dance with Mariaās beat)
SEYMOUR: And a whole lotta history.
PARR: Or as we like to call itā¦ HER story.
(They laugh)
ARAGON: So obviously you know who we are.
HOWARD: Please, no portraits.
ARAGON: But letās give it up for our
LADIES IN WAITING!
BOLEYN:
WEāVE GOT MAGGIE ON THE GEE-TAR!
CLEVES:
WEāVE GOT BESSIE ON THE BASS!
PARR: And killing it on the keys weāve got Joan!
ARAGON: And with beats so sick theyāll give you gout, itās Maria on the drums!
CLEVES: So you came here to party with us old school.
SEYMOUR: Really, really old school (laughs at own joke, then:) But weāre not here to have fun.
ARAGON: Uh uh.
SEYMOUR: Weāve got a serious score to settle.
HOWARD: āCause you see, _________, the problem is thereāsā
ALL:
SIX
HOWARD: āof us and we know youāve all got your favourite.
ARAGON: Yes, everyone wants to know whoās the most important wife.
CLEVES: And theyāve been arguing about it for centuries.
PARR: Weāve heard it allā¦
ARAGON: Who lasted longest is the strongest.
BOLEYN: The biggest sinner is obvs the winner.
SEYMOUR: Who had the son takes number one.
CLEVES: Who was most chase shall be first place.
HOWARD: The most inglorious is victorious.
PARR: The winning contestant was the most protestant.
ARAGON: But tonight weāre gonna answer your questions once and for all.
BOLEYIN: Andā¦ TELL YA WHATCHA WANT, WHATCHA REALLY REALLY WANTā¦ to knowā¦
SEYMOUR: Thatās right. Weāre here to help you figure out which of us isā¦
CLEVES: The Queen of the Castle.
SEYMOUR: The rose among the thorns.
HOWARD: The Thomas Cromwell among the royal ministers between 1532 and 1540.
ARAGON: But how in purgatory are they gonna choose their leading lady?
BOLEYIN: Well hold up. If this is gonna be a fair competition theyāre gonna have to judge us by the one thing we have in common.
SEYMOUR: The Queen to take crown should be the one who had the biggest.
PARR: The firmest.
ARAGON: The fullest.
CLEVES: ā¦load of BS to deal with from the man who put a ring on it.
HOWARD: So, _________, weāre gonna hold a little contest for you;
BOLEYN: And the rules are very simple.
PARR: The Queen who was dealt the worst hand.
SEYMOUR: The Queen with the most hardships to withstand.
CLEVES: The Queen for whom it didnāt really go as planed.
SEIS: Shall be the one to lead the band.
ARAGON: So what do you think _________, are you ready to choose your leading lady?
HOWARD: Oh, come on, we said ARE YOU READY?
ALL:
WELCOME TO THE SHOW TO THE CORONATION
WHO WILL TAKE THE CROWN, BE THE POP SENSATION?
EVāRYBODY KNOWS THAT WE USED TO BE
SIX WIVES
ARAGON: But thereās only one that you need to hear from tonight. _________, iām about to win this competition. Maria ā gimme a beat.
#2 ā No Way (Aragon & Others)
ARAGON: Mm-hmm, muy bien. So, since the day I arrived in England, letās jus say my faith has been tested on more than one occasion.
First thingās first, Iām shipped over from Spain on the night of my sweet sixteenth to marry some prince called Arthur, and Iām likeā¦ okay.
Then Arthur dies, so naturally Iām imprisoned from seven yearsā¦ really helped with the grieving process ya know. But still Iām likeā¦ okay.
But thank God, they rescued me just in time to marry Prince Henry ā my dead husbandās brother.
Okayā¦ā¦so Iām thinking ā bit weird, but if youād seen him back in the summer of ā09, let me tell you he wasā¦ okay.
So seven years later weāre still trying fon an heir. And heās trying really hard. And Iām likeā¦ okay.
Then he starts coming home late. āI was just with my ministersā But thereās lipstick on hismruff. And Iām likeā¦ okay.
Suddenly he wants to annul our marriage. Move some side-chick into my palace. And move me into a convent. Now, I donāt think Iād look that good in a wimple. So Iām like, āNo Wayā.
ARAGON:
YOU MUST AGREE THAT, BABY,
IN ALL THIS TIME IāVE BEEN BY YOUR SIDE.
IāVE NEVER LOST CONTROL
NO MATTER HOW MANY TIMES I KNEW YOU LIED.
HAD MY GOLDEN RULE: GOTTA KEEP MY COOL,
YEAH, BABY.
OTHERS:
YOU KNOW SHEāS GOTTA KEEP IT COOL
ARAGON:
AND EVEN THOUGH YOUāVE HAD YOUR FUN
RUNNING AROUNG WITH SOME
ALL:
PRETTY YOUNG THING
ARAGON:
AND EVEN THOUGH YOU HAD ONE SON
WITH SOMEONE WHO DONāT OWN A
ALL:
WEDDING RING
ARAGON:
NO MATTER WHAT I HEARD,
I DIDNāT SAY A WORD,
NO, BABY.
OTHERS:
YOU KNOW SHE NEVER SAID A WORD
ARAGON:
IāVE PUT UP WITH YOUR
ALL:
SHH
ARAGON:
LIKE EVāRY SINGLE DAY
OTHERS:
WOAH, WOAH
ARAGON:
BUT NOW ITāS TIME TO
ALL:
SHH
ARAGON:
AND LISTEN WHEN I SAY
YOU MUST THINK THAT IāM CRAZY
YOU WANNA REPLACE ME, BABY THEREāS
ALL:
N-N-N-N-N-N-NO WAY
ARAGON:
IF YOU THINK FOR A MOMENT
IāD GRANT YOU ANNULMENT, JUST HOLD UP, THEREāS
ALL:
N-N-N-N-N-N-NO WAY
ARAGON:
NO WAY
NO WAY
THEREāS
ALL:
N-N-N-N-N-N-NO WAY
ARAGON:
NO WAY
NO WAY
THEREāS
ALL:
N-N-N-N-N-N-NO WAY
ARAGON:
THEREāS NO WAY
SO YOU READ A BIBLE VERSE
THAT IāM CURSED āCAUSE I WAS YOUR BROTHERāS WIFE.
YOU SAY ITāS A PITY āCAUSE, QUOTING LEVITICUS
IāLL āEND UP KIDDILESSā ALL MY LIFE.
WELL, DADDY, WERENāT YOU THERE
WHEN I GAVE BIRTH TO MARY?
Oh, you donāt remember?
OTHERS:
DAUGHTERS ARE SO EASY TO FORGET
ARAGON:
YOUāRE JUST SO FULL OF
ALL:
SHH
ARAGON:
MUST THINK THAT IāM NAIVE
OTHERS:
WOAH, WOAH
ARAGON:
I WONāT BACK DOWN, WONāT
ALL:
SHH
ARAGON:
AND NO, IāLL NEVER LEAVE
YOU MUST THINK THAT IāM CRAZY
YOU WANNA REPLACE ME, BABY THEREāS
ALL:
N-N-N-N-N-N-NO WAY
ARAGON:
IF YOU THOUGH ITāD BE FUNNY
TO SEND ME TO A NUNNāRY, HONEY, THEREāS
ALL:
NO WAY
NO WAY
NO WAY
ARAGON:
THEREāS
ALL:
N-N-N-N-N-N-NO WAY
NO WAY
NO WAY
ARAGON:
THEREāS
ALL:
N-N-N-N-N-N-NO WAY
ARAGON:
THEREāS NO WAY
Dance it out, girls! (Dance break, and:) Give it up for Maria on the drums!
YOUāVE GOT ME DOWN ON MY KNEES,
PLEASE TELL WHAT YOU THINK IāVE DONE WRONG.
BEEN HUMBLE, BEEN ROYAL,
IāVE TRIED TO SWALLOW MY PRIDE ALL ALONG.
IF YOU CAN JUST EXPLAIN
A SINGLE THING IāVE DONE TO CAUSE YOU PAIN,
IāLL GOā¦ (beat) NO?
(ARAGON)
YOUāVE GOT NOTHING TO SAY
IāM NOT GOING AWAY
THEREāS NO WAY
YOU MUST THINK THAT IāM CRAZY
YOU WANNA REPLACE ME, BABY THEREāS
ALL:
N-N-N-N-N-N-NO WAY
ARAGON:
YOU MADE ME YOUR WIFE
SO IāLL BE QUEEN āTIL THE END OF MY LIFE
ALL:
N-N-N-N-N-N-NO WAY
ARAGON (Ad lib.)
OTHERS:
NO WAY
NO WAY
NO WAY
NO WAY
ARAGON:
THEREāS
ALL:
NA NA NA NA NA NA NA NA
NA NA NA NA NA NA NO WAY
ARAGON:
THEREāS NO WAY!
ARAGON: Soā¦
#2a ā Donde Esta Mi Crown (Instrumental)
ARAGON: Clearly i had the most to deal with from the king. And I hit that high C soā¦ Donde esta my crownā¦ por favor?
HOWARD: Oh wait, hang on. Who was that other one?
ARAGON: I think youāre thinking of me.
SEYMOUR: No, there was definitely, like, a really important one.
ARAGON: Still me.
PARR: I think she overlapped with you.
CLEVES: No, yeah, the really famous and controversial one who people actually care about?
#2b ā The One Youāve Been Waiting For (All except Boleyn)
SEYMOUR:
YEAH, YOU KNOWā¦
THE ONE YOUāVE BEEN WAITING FOR
ALL:
THE ONE YOUāVE BEEN WAITING FOR
HOWARD:
THE MYSTāRY
CLEVES:
THE ONE WHO CHANGED HISTāRY
PARR/SEYMOUR:
MYSTāRY
CLEVES/HOWARD/ARAGON:
THE ONE WHO CHANGED HISTāRY
PARR/SEYMOUR:
MYSTāRY
ALL:
THE TEMPTRESS SSS
ARAGON:
THE ONE WITH THE PLAN
THE PLAN TO STEAL THE MAN
ALL:
ANN
PARR:
THE ONE WHO CHASED THE KING
SEYMOUR:
BUT PAID THE PRICE WITH THE SWORDS-MANāS SWING
ALL:
WILL SHE BE THE ONE TO WIN?
ANN BOLEYN
ALL:
ANN BOLEYN!
BOLEYN: What? Oh, sorry! (Makes a gest to the band and:)
#3 ā Donāt Lose Ur Head (Boleyn and Others)
BOLEYN:
GREW UP IN THE FRENCH COURT
OUI, OUI, BONJOUR. LIFE WAS A CHORE SO
OTHERS:
SHE SET SAIL.
BOLEYN:
FIFTEEN TWENTY TWO CAME STRAIGHT TO THE U.K.
ALL THE BRITISH DUDES, LAME.
OTHERS:
EPIC FAIL.
OOH HOOH
BOLEYN:
I WANNA DANCE AND SING
OTHERS:
POLITICS
BOLEYN:
NOT MY THING
OTHERS:
OOH HOOH
BOLEYN:
BUT THEN I MET THE KING
AND SOON MY DADDY SAID
āYOU SHOULD TRY AND GET AHEADā
HE WANTED ME, HA! OBVIOUSLY.
KEPT MESSAGING ME LIKE EVERYDAY.
COULDNāT BE BETTER THEN HE SENT ME A LETTER
AND WHO AM I KIDDING I WAS āPRET A MANGERā.
OTHERS:
OOH HOOH
BOLEYN:
SENT A REPLY
OTHERS:
OOH HOOH
BOLEYN:
JUST SAYING HI
OTHERS:
OOH HOOH
BOLEYN:
YOUāRE A NICE GUY
IāLL THINK ABOUT IT MAYBE
XO BABY
OTHERS:
UH-OH
BOLEYN:
HERE WE GO
OTHERS:
YOU SENT HIM KISSES?
BOLEYN:
I DIDNāT KNOW I WILL MOVE
IN WITH HIS MISSUS.
OTHERS:
WHAT?
BOLEYN:
GET A LIFE
OTHERS:
YOUāRE LIVING WITH HIS WIFE!
BOLEYN:
LIKE WHAT WAS I MEANT TO DO?
SORRY NOT SORRY āBOUT WHAT I SAID
IāM JUST TRYāNA HAVE SOME FUN.
DONāT WORRY DONāT WORRY, DONāT LOSE YOUR HEAD.
I DIDNāT MEAN TO HURT ANYONE.
L-O-L SAY āOH WELLā OR GO TO HELL.
IāM SORRY, NOT SORRY āBOUT WHAT I SAID.
DONāT LOSE YOUR HEAD.
THREE IN THE BED AND THE LITTLE ONE SAID
āIF YOU WANNA BE WED
ALL:
MAKE UP YOUR MINDā
BOLEYN:
HER OR ME CHUM DONāT WANNA BE
SOME GIRL IN A THREESOME.
ALL:
ARE YOU BLIND?
OTHERS:
OOH HOOH
BOLEYN:
DONāT BE BITTER
OTHERS:
OOH HOOH
BOLEYN:
āCAUSE IāM FITTER
OTHERS:
OOH HOOH
BOLEYN:
WHY HASNāT IT HIT HER?
HE DOESNāT WANNA BANG YOU,
SOMEBODY HANG YOU.
OTHERS:
UH-OH
BOLEYN:
HERE WE GO
OTHERS:
YOUR COMMENT WENT VIRAL
BOLEYN:
I DIDNāT REALLY MEAN IT
BUT RUMOURS SPIRAL
OTHERS:
WOW ANNE, WAY TO MAKE
THE COUNTRY HATE YOU
BOLEYN:
MATE, WHAT WAS I MEANT TO DO?
SORRY NOT SORRY āBOUT WHAT I SAID
IāM JUST TRYāNA HAVE SOME FUN.
DONāT WORRY DONāT WORRY, DONāT LOSE YOUR HEAD.
I DIDNāT MEAN TO HURT ANYONE.
L-O-L SAY āOH WELLā OR GO TO HELL.
IāM SORRY, NOT SORRY āBOUT WHAT I SAID.
DONāT LOSE YOUR HEAD.
(BOLEYN)
TRIED TO ELOPE
BUT THE POPE SAID āNOPEā.
OUR ONLY HOPE WAS
ALL:
HENRY
BOLEYN:
HE GOT A PROMOTION,
CAUSED A COMMOTION,
SET IN MOTION
ALL:
THE C OF E.
THE RULES
BOLEYN:
WERE SO OUTDATED.
US TWO WANTED TO GET X-RATED.
OTHERS:
SOON
EXCOMMUNICATED
BOLEYN:
EVāRYBODY CHILL,
ITāS TOTES GODāS WILL.
HOLD UP! LET ME TELL HOW IT WENT DOWN.
HENRYāS OUT
EVāRY NIGHT ON THE TOWN
JUST SLEEPING AROUND LIKE
ALL:
WHAT THE HELL
BOLEYN:
IF THATāS HOW ITāS GONNA BE
MAYBE IāLL FLIRT
WITH A GUY OR THREE JUST TO
ALL:
MAKE HIM JEL
BOLEYN:
HENRY FINDS OUT
AND HE GOES MENTAL
HE SCREAMS AND SHOUTS LIKE
ALL:
SO JUDGEMENTAL
BOLEYN:
āYOU DAMNED WITCHā
BRO, JUST SHUT UP
I WOULDNāT BE SUCH A Bā¦
IF YOU COULD GET IT UP.
OTHERS:
UH-OH
BOLEYN:
HERE WE GO
OTHERS:
IS THAT WHAT YOU SAID?
BOLEYN:
AND NOW HEāS GOING ROUND
LIKE āOFF WITH HER HEAD!ā
OTHERS:
NO!
BOLEYN:
YEAH, Iā PRETTY SURE HE MEANS IT
OTHERS:
SEEMS IT
BOLEYN:
WHAT WAS I MEANT TO DO?
OTHERS:
WHAT WAS SHE MEANT TO DO?
BOLEYN:
LIKE WHAT WAS I MEANT TO DO?
OTHERS:
WHAT WAS SHE MEANT TO DO?
BOLEYN:
NO, BUT WHAT WAS I MEANT TO DO?
OTHERS:
WHAT WAS SHE MEANT TO DO?
BOLEYN: Oh my gosh guys seriously he actually wants to chop my head off! I meanā¦ I guess he just really liked my head. (makes an obscene gest with the mic and:) Ā”5, 6, 7, 8!
ALL:
SORRY NOT SORRY āBOUT WHAT I SAID
BOLEYN:
IāM JUST TRYāNA HAVE SOME FUN.
ALL:
DONāT WORRY DONāT WORRY, DONāT LOSE YOUR HEAD.
BOLEYN:
I DIDNāT MEAN TO HURT ANYONE.
ALL:
L-O-L SAY āOH WELLā OR GO TO HELL.
BOLEYN:
SORRY NOT SORRY āBOUT WHAT I SAID
OTHERS:
SORRY NOT SORRY āBOUT WHAT SHE SAID
ALL:
SORRY NOT SORRY āBOUT WHAT I SAID
BOLEYN:
DONāT LOSE YOUR HEAD
BOLEYN: Yeahā¦
#3a ā Iām Like Dead (Instrumental & Boleyn)
BOLEYN: ā¦what a weekend, Iām like dead.
HOWARD: Wait, didnāt you actually die?
BOLEYN: Yeah, it was so extra. Anyway yeah, now Iām obvs the winner, I think Iāll do another solo. SO my next song is one I wrote the moment when I found out Catherine of Aragon had tragically died. Itās called āWearing Yellow To A Funeralā. Hit the lights!
BOLEYN:
CATHERINE WAS A MASSIVEā¦
(The Queens stops her and the band)
CLEVES: Ā”Woo, woo, woo! When did we decided you were the winner?
PARR: She wants another turn.
ARAGON: Over my dead body!
SEYMOUR: Yeah, anyway, Iām pretty sure itās my turn next.
CLEVES: You? Queen please!
(The Queens laugh and start joking)
HOWARD: Yeah, werenāt you āthe one he truly lovedā?
ARAGON: Oh, yeah, didnāt you finally give him the son he so desperately wanted?
BOLEYN: Yeah, like I had a daughter and he literally choped my head off?
SEYMOUR: Okay, yeah, youāre right. I was lucky. Okay, I was really lucky. I was in love. I just had a beautiful baby. Henry was happy ācause thank god it was an Edward, not an āEdwinaāā¦ I was so exited for his first steps, his first words. For not getting a god nightās sleep for the next three years. But I never got to see any of that. You know, people say Henry was stone-hearted, uncaring. And Iām not sure that he was.
BOLEYN: ā¦what a weekend, Iām like dead.
HOWARD: Wait, didnāt you actually die?
BOLEYN: Yeah, it was so extra. Anyway yeah, now Iām obvs the winner, I think Iāll do another solo. SO my next song is one I wrote the moment when I found out Catherine of Aragon had tragically died. Itās called āWearing Yellow To A Funeralā. Hit the lights!
BOLEYN:
CATHERINE WAS A MASSIVEā¦
(The Queens stops her and the band)
CLEVES: Ā”Woo, woo, woo! When did we decided you were the winner?
PARR: She wants another turn.
ARAGON: Over my dead body!
SEYMOUR: Yeah, anyway, Iām pretty sure itās my turn next.
CLEVES: You? Queen please!
(The Queens laugh and start joking)
HOWARD: Yeah, werenāt you āthe one he truly lovedā?
ARAGON: Oh, yeah, didnāt you finally give him the son he so desperately wanted?
BOLEYN: Yeah, like I had a daughter and he literally choped my head off?
SEYMOUR: Okay, yeah, youāre right. I was lucky. Okay, I was really lucky. I was in love. I just had a beautiful baby. Henry was happy ācause thank god it was an Edward, not an āEdwinaāā¦ I was so exited for his first steps, his first words. For not getting a god nightās sleep for the next three years. But I never got to see any of that. You know, people say Henry was stone-hearted, uncaring. And Iām not sure that he was.
#4 ā Heart Of Stone (Seymour & Others)
SEYMOUR: But I didnāt do that. Instead, I stood by him, like I was made of stone, I stood firm. No matter his flaws or his tempers ā no matter my doubts or fears ā I stayed there. By his side. And thatās not beause I was scared, or naive, or weak. Itās becauseā¦ I loved him.
Soā¦ Henry,
SEYMOUR:
YOU'VE GOT A GOOD HEART
BUT I KNOW IT CHANGES.
A RESTLESS TIDE, UNTAMABLE.
YOU CAME MY WAY,
AND I KNEW A STORM COULD COME TOO.
YOU'D LIFT ME HIGH, OR LET ME FALL.
BUT I TOOK YOUR HAND,
PROMISED I'D WITHSTAND
ANY BLAZE YOU BLEW MY WAY.
'CAUSE SOMETHING INSIDE, ITāS SOLIDIFIED,
AND I KNEW I'D ALWAYS STAY.
YOU CAN BUILD ME UP, YOU CAN TEAR ME DOWN,
YOU CAN TRY BUT I'M UNBREAKABLE.
YOU CAN DO YOUR BEST, BUT I'LL STAND THE TEST.
YOU'LL FIND THAT I'M UNSHAKEABLE.
WHEN THE FIRE'S BURNT,
WHEN THE WIND HAS BLOWN,
WHEN THE WATER'S DRIED,
YOU'LL STILL FIND STONE. MY HEART OF STONE.
YOU SAY WE'RE PERFECT, A PERFECT FAMILY.
YOU HOLD US CLOSE, FOR THE WORLD TO SEE.
AND WHEN I SAY āYOU'RE THE ONLY ONE I'VE EVER LOVEDā
I MEAN THOSE WORDS TRUTHFULLY.
BUT I KNOW
WITHOUT MY SON YOUR LOVE COULD DISAPPEAR.
(SEYMOUR)
I KNOW IT ISN'T FAIR, BUT I DON'T CARE
'CAUSE MY LOVE, WILL STILL BE HERE.
YOU CAN BUILD ME UP, YOU CAN TEAR ME DOWN,
YOU CAN TRY BUT I'M UNBREAKABLE.
YOU CAN DO YOUR BEST, BUT I'LL STAND THE TEST.
YOU'LL FIND THAT I'M UNSHAKEABLE.
WHEN
ALL:
THE FIRE'S BURNT,
THE WIND HAS BLOWN,
THE WATER'S DRIED,
SEYMOUR:
YOU'LL STILL FIND STONE.
MY HEART OF STONE.
SOON I'LL HAVE TO GO,
I'LL NEVER SEE HIM GROW.
BUT I HOPE MY SON WILL KNOW
HE'LL NEVER BE ALONE,
'CAUSE LIKE A RIVER RUNS DRY
AND LEAVES IT'S SCARS BEHIND.
I'LL BE BY YOUR SIDE
'CAUSE MY LOVE
IS SET IN STONE
YEAH (+Ad Lib.)
OTHERS:
YOU CAN BUILD ME UP, YOU CAN TEAR ME DOWN,
YOU CAN TRY BUT I'M UNBREAKABLE.
YOU CAN DO YOUR BEST, BUT I'LL STAND THE TEST.
YOU'LL FIND THAT I'M UNSHAKEABLE.
ALL:
THE FIRE'S BURNT,
THE WIND HAS BLOWN,
THE WATER'S DRIED,
SEYMOUR:
YOU'LL STILL FIND STONE.
OOH YEAHā¦
MY HEART OF
SEYMOUR:
STONE
CANāT BREAK ME
CANāT BREAK ME
STONE
CANāT BREAK ME
CANāT BREAK ME
STONE
CANāT BREAK ME
PARR/HOWARD:
STONE
-
-
STONE
-
-
STONE
-
ARAGON/BOLEYN/CLEVES:
YOU CAN BUILD ME UP,
YOU CAN TEAR ME DOWN,
YOU CAN TRY BUT I'M UNBREAKABLE.
YOU CAN DO YOUR BEST,
BUT I'LL STAND THE TEST.
YOU'LL FIND THAT I'M UNSHAKEABLE.
THE FIRE'S BURNT, THE WIND HAS BLOWN,
THE WATER'S DRIED
SEYMOUR:
YOUāLL STILL FIND STONE.
MY HEART OF STONE.
SEYMOUR: Because what hurts more than a broken heart?
BOLEYN: A severed head.
(All queens except CLEVES leave the Stage)
#4a ā Pre-Holbein (Instrumental)
CLEVES: Now, seeing as Henry was running out of women to marry in England, he had to look a little further a field. Had to adjust his location settings if you will. To find his next queen, weāre heading to Germany. (The light fades until it is practically dark. The queens enter, wearing a ruff and sunglasses. They help CLEVES to put on her accessories.)
CLEVES: Where he enlisted the help of the legendary painterā¦ Hansā¦
ALL: (whispering) Holbein.
#5 ā Haus Of Holbein (All)
CLEVES:
WELCOME TO THE HAUSā¦
ALL:
ā¦TO THE HAUS OF HOLBEIN
JA!
(The Stage turns into a techno rave. The queens talk and sing with a distinctly german accent.)
ALL:
OOH, JA!
DAS IST GUT, OOH JA!
JA!
THE HAUS OF HOLBEIN
PARR:
HANS HOLBEIN GOES AROUND THE WORLD
ARAGON:
PAINTING ALL OF THE BEAUTIFUL GIRLS
SEYMOUR:
FROM SPAIN
HOWARD:
TO FRANCE
CLEVES:
AND GERMANY
ALL:
THE KING CHOOSES ONE
BOLEYN:
BUT WHICH ONE WILL IT BE?
ARAGON:
YOU BRING THE CORSETS
BOLEYN:
WEāLL BRING THE CINCHES
CLEVES:
NO ONE WANTS A WAIST OVER
(inhales)
NINE INCHES
SEYMOUR:
SO WHAT, THE MAKEUP CONTAINS LEAD POISON?
HOWARD:
AT LEAST YOUR COMPLEXION WILL BRING ALL THE BOYS IN
ALL:
IGNORE THE FEAR AND YOUāLL BE FINE,
WEāLL TURN THIS VIER INTO A NINE.
SO JUST SAY āJAā AND DONāT SAY āNEINā
āCAUSE NOW YOUāRE IN THE HAUS
IN THE HAUS OF HOLBEIN
JA! OOH JA!
DAS IST GUT
OOH JA! JA!
THE HAUS OF HOLBEIN
BOLEYN:
WE MUST MAKE SURE THE PRINCESSES LOOK GREAT
WHEN THEIR TIME COME FOR A HOLBEIN PORTRAIT
ARAGON:
WE KNOW WHAT ALL THE BEST INVENTIONS
ARE TO HOLD EVāRYTHING UP
HOWARD:
JA, IS WUNDERBAR!
SEYMOUR:
FOR BLONDER HAIR THEN YOU JUST ADD
A MAGICAL INGREDIENT (FROM YOUR BLADDER)
PARR:
TRY THESE HEELS, SO HIGHT ITāS NAUGHTY
SEYMOUR:
(Brittish accent, like small print)
BUT WE CANNOT GUARANTEE THAT YOUāLL STILL WALK AT FORTY
ALL:
IGNORE THE FEAR AND YOUāLL BE FINE,
WEāLL TURN THIS VIER INTO A NINE.
(ALL)
SO JUST SAY āJAā AND DONāT SAY āNEINā
āCAUSE NOW YOUāRE IN THE HAUS
IN THE HAUS OF HOLBEIN
OOH JA!
DAS IST GUT
OOH JA! JA!
THE HAUS OF HOLBEIN
ARAGON: The time has come for you to select a bride, your highness
HOWARD: May we present Christina of Denmark:
(PARR becomes Christina of Denmark and takes center screen)
SEYMOUR: Looking for mates, date, and a British monarch with whom to secure the line of succession. āWinky faceā. (PARR moves to right hand screen, the bad one)
BOLEYN: ĀæNein? Well never mind, she has already made a match with the Duke of Milan anyhow.
CLEVES: Ok. Next!
(Now is HOWARD who asumes the role of Amalia of Cleves, taking center screen)
BOLEYN: Your highness, may ve prezent Amalia of Cleves. Just a German girl trying to live the English Dream.
PARR: #NoCatholics #DigDowry
(HOWARD moves to right hand screen, the bad one, too)
PARR: ĀæNein? Ok, alles klar.
ARAGON: Whoās next?
(CLEVES takes, as herself, center screen)
BOLEYN: Ah! Fantastisch!
HOWARD: Ā”Wunderbar!
SEYMOUR: Super kool!
ARAGON: Your highness, your highness, your highness: we are honoured to present you Anna of Cleves.
BOLEYN: The most beautiful woman in the whole of the Holy Roman Empire.
PARR: And let me assure you, Herr Holbein has certainly done her justice.
(CLEVES moves to left hand screen, the good one)
ARAGON: Ah! Sehr Gut! And I think we can say with some certainty you will be happily
married for many years to come.
HOWARD: Ah, I can see it now! Henry VIII and his famous four wives!
SEYMOUR: Oh please, no need to thank us,
THE PLEASURE HAS BEEN OURSā¦
ALL:
ā¦IN THE HAUS OF HOLBEIN!
(All Queens, except CLEVES, leave the stage. PARR is the last, who stops to say:)
PARR:
THE HAUS OF HOLBEIN
(PARR leaves. CLEVES is alone, under a dim spotlight.)
#6 ā Get Down (Cleves & Others)
CLEVES: So I guess already know what happened next. How I came to England hopeful, summoned after the king saw my portrait. And how I, with my meager looks the way they are, didnāt live up to his expectations. I mean, itās the usual story, isnāt it? The savvy educated youg princess deemed repulsive by the wrinkled, wheezing, ulcer-riddled man twenty-four years her senior.
(The Queens re-enter.)
CLEVES: Rejection! Rejection from a king! I mean, how can anyone overcome the fate as devastating as being forced to move into a respendent palace in Richmond with more money that I could ever spend in a lifetime? And not a single man around to tell me what to do with it. I mean, seriously, itās justā¦ tragic.
CLEVES:
SITTING HERE ALL ALONE, ON A THRONE,
IN A PALACE THAT I HAPPEN TO OWN.
BRING ME SOME PHEASANT,
KEEP IT ON THE BONE.
FILL MY GOBLET UP TO THE BRIM,
SIPPING ON MEAD,
AND I SPILL IT ON MY DRESS WITH THE GOLDLACE TRIM.
NOT VERY PRIM AND PROPER, CANāT MAKE ME STOP.
I WANNA GO HUNTING, ANY TAKERS?
IāM NOT FAKE āCAUSE I GOT ACRES AND ACRES
PAID FOR WITH MY OWN RICHES.
WHERE MY HOUNDS AT? RELEASE THE BITCHES!
OTHERS:
WOOF
CLEVES:
EVāRY DAY.
HEAD BACK FOR A ROUND OF CROQUET (YA)
āCAUSE IāM A PLAYER
AND TOMORROW IāLL HIT REPLAY
ALL:
YOU
CLEVES:
YOU SAID THAT I TRICKED YA
ALL:
āCAUSE I
CLEVES:
I DIDNāT LOOK LIKE MY PROFILE PICTURE
ALL:
TOO
CLEVES:
TOO BAD I DONāT AGREE
SO IāM GONNA HANG IT UP
FOR EVāRYONE TO SEE
AND YOU CANāT STOP ME āCAUSE
(CLEVES)
IāM THE QUEEN OF THE CASTLE
GET DOWN YOU DIRTY RASCAL
GET DOWN
GET DOWN
GET DOWN YOU DIRTY RASCAL
GET DOWN
GET DOWN
āCAUSE IāM THE QUEEN OF THE CASTLE!
WHEN I GET BORED, I GO TO COURT
PULL UP OUTSIDE IN MY CARRIAGE
DONāT GOT NO MARRIAGE
SO I HAVE A LITTLE FLIRT WITH THE FOOT MAN
AS HE TAKES MY FURR
(gasp)
AS YOU WERE
MAKING MY WAY TO THE DANCE FLOOR
SOME BOYS MAKE AN ADVANDE, I IGNORE THEM
āCAUSE MY JAM COMES ON THE LUTE
LOOKING CUTE
ALL:
DAS IST GUT
CLEVES:
ALL EYES ON ME
ALL:
NO CRITICISM
CLEVES:
I LOOK MORE RAD THAN
ALL:
LUTHERANISM
CLEVES:
DANCE SO HARD THAT IāM CAUSING A SENSATION
OKAY LADIES, LETāS GET IN REFORMATION
ALL:
YOU
CLEVES:
YOU SAID THAT I TRICKED YA
ALL:
āCAUSE I
CLEVES:
I DIDNāT LOOK LIKE MY PROFILE PICTURE
ALL:
TOO
CLEVES:
TOO BAD I DONāT AGREE
SO IāM GONNA HANG IT UP
FOR EVāRYONE TO SEE
AND YOU CANāT STOP ME āCAUSE
IāM THE QUEEN OF THE CASTLE
GET DOWN YOU DIRTY RASCAL
GET DOWN
GET DOWN
GET DOWN YOU DIRTY RASCAL
GET DOWN
GET DOWN
āCAUSE IāM THE QUEEN OF THE CASTLE!
NOW I AINāT SAYING IāM A GOLD DIGGER
BUT CHECK MY PRENUP, AND GO FIGURE
GOT
ALL:
GOLD CHAINS
CLEVES:
SYMBOLIC TO MY FAITH TO THE HIGHER POWER IN THE
ALL:
FIRST LANE
CLEVES:
MY HORSES CAN RUN UP TO TWELVE MILES AN HOUR.
LET ME EXPLAIN, IāM A WEINERSCHITZEL
NOT AND ENGLISH FLOWER.
NO ONE TELLS ME I NEED A RICHMAN
DOING MY THING IN MY PALACE IN RICHMOND.
ALL:
YOU
YOU SAID THAT I TRICKED YA
SEYMOUR & HOWARD:
TRICKED YA
ALL:
āCAUSE I
I DIDNāT LOOK LIKE MY PROFILE PICTURE
TOO
TOO BAD I DONāT AGREE
SO IāM GONNA HANG IT UP
FOR EVāRYONE TO SEE
AND YOU CANāT. STOP.
YOU CANāT STOP ME āCAUSE
CLEVES:
IāM THE QUEEN OF THE CASTLE
GET DOWN YOU DIRTY RASCALS
ALL (+ CLEVES Ad Libs.):
GET DOWN
GET DOWN
GET DOWN
GET DOWN
CLEVES:
āCAUSE IāM THE QUEEN OF THE CASTLE!
#6a ā After Get Down (Instrumental)
CLEVES: Yeah, it was really heartbreaking.
ARAGON: Uh, that doesnāt sound difficult at all
CLEVES: Oh yeah, I guess youāre right. I probably wonāt win thenā¦ Oh well, back to the
palace!
BOLEYN: So now thereās one horse out of the race.
CLEVES: Rude.
BOLEYN: Letās take a moment to check back in with the competition.
(BOLEYN clicks at the band to start)
BOLEYN: So, whoās still in the running? Will it be the devoted wife, the divorcee, or the one who actually had problems to deal with?
SEYMOUR: ĀæProblems? (clicks at the band to cut off) My son had to deal with the loss of his mother.
BOLEYN: Oh yeah. Kinda like how my body had to deal with the loss of its head.
ARAGON: Queens, queens! Come on now. Canāt you see whats happening? Comparing your losses isnāt going to change the fact that Iāve already won. I mean, I was literally shipped over from a foreing country, not knowing a word of English, to marry some random dude.
CLEVES: Oh my God, same!
ARAGON: No! Okay! But then, when Henry decided he had enough of me, he didnāt even have the decency to say goodbye!
HOWARD: Same!
BOLEYN: Yeah, same! Nice neck, by the way.
(HOWARD and BOLEYN high five.)
ARAGON: Alright. Fine. How about this: when my one and only child had a raging fever, Henry didnāt let me āher mother!ā see herā¦
SEYMOUR: (crazy) Oh, boo-hoo! Baby Mary had the chickenpox and you didnāt get to hold her hand! You know, itās funny because when I wanted to hold my newborn son, I died!
(SEYMOUR gathers himself and pretends nothing happens)
CLEVES: Guys, I have the plague!
(They all quickly pass to get worried about CLEVES)
CLEVES: LOL, iām just kidding. My lifeās amazing.
PARR: Okay! You know what, I think itās time we hear from our next queen: K Howard.
BOLEYN: Umā¦ Whoās that again?
ARAGON: Oh, umm, I think she was the least relevant Katherine.
BOLEYN: Ohh, yeah, yeaahā¦ Now I still donāt care.
HOWARD: Oh, haha. Funny.
ARAGON: Yeah speaking of funny, good look trying to compete with us, honey!
HOWARD: Youāre right, youāre right. Iām going to need all the luck I can get. Your lives sounded terribleā¦ and your songs. Really helped to convey that. I mean, Catherine. Almost moving to a nunnery, and then notā¦ that āalmostā couldāve been really hard for you. And Anne! Getting your head chopped off, surely that means youāll win the competitionā¦ Oh waitā¦ Divorced, beheaded, died, divorced, beheadedā¦ Oh, nevermind. And Janeā¦ Dying of natural causesā¦ When will justice be served?! And surviving. But seriously, Anna, all jokes aside, getting rejected for your looks legit sounds really rough. I wouldnāt know anything about that. I mean, look at me, Iām really hotā¦ So yeah, I canāt even begin to think of how I compete with you allā¦ Oh wait, like this.
#7 ā All You Wanna Do (Howard & Others)
OTHERS:
ALL YOU WANNA DO
ALL YOU WANNA DO, BABY
HOWARD: I think we can all agree Iām the ten amongst these threes.
OTHERS:
ALL YOU WANNA DO
ALL YOU WANNA DO, BABY
HOWARD: And ever since I was a child Iād make the boys go wild.
OTHERS:
ALL YOU WANNA DO
ALL YOU WANNA DO, BABY
HOWARD: Take my first music teacher, Henry Mannox.
HOWARD:
I WAS YOUNG, ITāS TRUE
BUT EVEN THEN I KNEW
THE ONLY THING YOU WANNA DO IS
*KISS* AHH
BROAD, DARK, SEXY MANNOX
TAUGH ME ALL ABOUT DYNAMICS.
HE WAS TWENTY-THREE
AND I WAS THIRTEEN GOING ON THIRTY.
WE SPENT HOURS STRUMMING THE LUTE
STRICKING THE CHORDS AND BLOWING THE FLUTE.
HE PLUCKED MY STRINGS ALL THE WAY TO G,
WENT FROM MAJOR TO MINOR, C TO D.
TELL ME, WHAT YOU NEED
WHAT YOU WANT, YOU DONāT NEED TO PLEAD
āCAUSE I FEEL THE CHEMISTRY
LIKE I GET YOU AND YOU GET ME.
AND MAYBE THIS IS IT,
HE JUST CARES SO MUCH IT FEELS LEGIT.
WE HAVE A CONNECTION,
I THINK THIS GUY IS DIFFERENT āCAUSE
ALL YOU WANNA DO
ALL YOU WANNA DO, BABE, IS
TOUCH ME, LOVE ME, CANāT GET ENOUGH, SEE.
ALL YOU WANNA DO
ALL YOU WANNA DO, BABE, IS
PLEASE ME, SQUEEZE ME, BIRDS AND THE BEES ME.
RUN YOUR FINGERS THROUGH MY HAIR,
TELL ME IāM THE FAIREST OF THE FAIR.
ALL:
PLAYTIMEāS OVER
HOWARD:
THE ONLY THING YOU WANNA DO IS
*KISS* AHH
HOWARD: Then there was another guy, Frances. And at the time, I was living at my StepGrandmaās house. He was working for her āworking so hard. So he asked me to be his little piece of assā¦ istant.
HOWARD:
SERIOUS, STERN AND SLOW,
GETS WHAT HE WANTS AND HE WONāT TAKE NO.
PASSION IN ALL THAT HE TOUCHES,
THE SEXY SECRETARY TO THE DOWAGER DUCHESS.
HELPED HIM IN HIS OFFICE, HAD A DUTY TO FULFILL.
HE EVEN LET ME USE HIS FAVOURITE QUILL.
SPILLED INK ALL OVER THE PARCHMENT, MY WRIST WAS SO TIRED.
STILL I CAME BACK THE NEXT DAY AS HE REQUIRED.
YOU SAY IāM WHAT YOU NEED,
ALL YOU WANT, YOU DONāT NEED TO PLEAD
I FEEL THE CHEMISTRY
I GET YOU AND YOU GET ME.
AND I KNOW THIS IS IT,
HE JUST CARES SO MUCH THIS ONEāS LEGIT.
WE HAVE A CONNECTION,
IāM SURE THIS TIME IS DIFFERENT āCAUSE
ALL YOU WANNA DO
ALL YOU WANNA DO, BABE, IS
TOUCH ME, LOVE ME, CANāT GET ENOUGH, SEE.
ALL YOU WANNA DO
ALL YOU WANNA DO, BABE, IS
PLEASE ME, SQUEEZE ME, BIRDS AND THE BEES ME.
YOU CANāT WAIT A SECOND MORE
TO GET MY CORSET ON THE FLOOR.
ALL:
PLAYTIMEāS OVER
HOWARD:
THE ONLY THING YOU WANNA DO IS
*KISS* AHH
HOWARD: So yeah, that didnāt work out. It turns out some guys just employ women to get them into their private chambers. (sigh) It was a different time back then. So, I decided to have a break from boys. Just focus on my career. Then my dad got me this amazing work placement in court. And youāll never guess who I met.
HOWARD:
TALL, LARGE, HENRY THE EIGHTH,
SUPREME HEAD OF THE CHURCH ON ENGLAND.
GLOBALY REVERED
ALTHOUGH YOU WOULDNāT KNOW IT FROM THE LOOK OF THAT BEARD.
MADE ME A LADY IN WAITING,
HURLED ME AND MY FAMILY UP IN THE WORLD.
GAVE ME DUTIES IN COURT AND HE SWEARS ITāS TRUE
THAT WITHOUT ME HE DOESNāT KNOW WHAT HEāD DO!
YOU SAY IāM ALL YOU NEED,
ALL YOU WANT, WE BOTH AGREE.
THIS IS THE PLACE FOR ME,
IāM FINāLLY WHERE IāM MEANT TO BE.
THEN HE STARTS SAYING ALL THIS STUFF,
HE āCARES SO MUCHā, HE CALLS ME LOVE.
HE SAIS WE HAVE THIS āCONNECTIONā,
I GUESS ITāS NOT SO DIFFERENT āCAUSE
ALL YOU WANNA DO
ALL YOU WANNA DO, BABE, IS
TOUCH ME, LOVE ME, CANāT GET ENOUGH, SEE.
ALL YOU WANNA DO
ALL YOU WANNA DO, BABE, IS
PLEASE ME, SQUEEZE ME, BIRDS AND THE BEES ME.
THEREāS NO TIME FOR WHEN OR HOW
āCAUSE YOU JUST GOT TO HAVE ME NOW.
ALL:
PLAYTIMEāS OVER
HOWARD:
THE ONLY THING YOU WANNA DO IS
*KISS* AHH
HOWARD: So we got marriedā¦ Woo!...
HOWARD:
WITH HENRY IT ISNāT EASY,
HIS TEMPERāS SHORT AND HIS FRIENDS ARE SLEAZY.
EXCEPT FOR THIS ONE COURTIER,
HEāS A REALLY NICE GUY, JUST SO SINCERE.
(HOWARD)
THE ROYAL LIFE ISNāT WHAT I PLANNED,
BUT THOMAS IS THERE TO LEND A HELPING HAND.
SO SWEET, MAKE SURE THAT IāM OKAY,
AND WE HANG OUT LOAD WHEN THE KINGāS WAY.
THIS GUY, FINALLY,
IS WHAT I WANT, THE FRIEND I NEED.
JUST FRIENDS, NO CHEMISTRY,
I GET HIM AND HE GETS ME.
AND THEREāS NOTHING MORE TO IT
HE JUST CARES SO MUCH HEāS DEVOTED.
HE SAID WE HAVE A CONNECTIONā¦
I THOUGH THIS TIME WAS DIFFERENT.
WHY DID I THINK HEāD BE DIFFERENT?
BUT ITāS NEVER EVER DIFFERENT āCAUSE
ALL YOU WANNA DO
ALL YOU WANNA DO, BABE, IS
TOUCH ME, WHEN WILL ENOUGH BE ENOUGH, SEE.
ALL YOU WANNA DO
ALL YOU WANNA DO, BABE, IS
SQUEEZE ME, DONāT CARE IF YOU DONāT PLEASE ME.
BITE MY LIP AND PULL MY HAIR
AS YOU TELL ME IāM THE FAIREST OF THE FAIR.
ALL:
PLAYTIMEāS OVER
PLAYTIMEāS OVER
PLAYTIMEāS OVER
HOWARD:
THE ONLY THING
THE ONLY THING
(All the queens except HOWARD leave the stage.)
HOWARD:
THE ONLY THING YOU WANNA DO IS
*KISS* AHH
HOWARD: And then I was beheaded. Wow. I know, I know. So I guess, seeing as Iāve now won the competitionā¦ (makes a gest to the band and:)
#7a ā After All You Wanna Do (Instrumental)
HOWARD: All I wanna do is to take this opportunity to recognize all the poweful men who
got me where I am today. Couldnāt have done it without you. Thank you, _________! Good
night!
(All queens fastly re-enters interrupting HOWARD and the band)
SEYMOUR: Wait, wait, wait! Okay, hold up! Yeah, you had it bad, but that was not the most heartwrenching song weāve heard this evening.
HOWARD: Um, Iām sorry. Were you not listening to my song? There were four choruses.
Thatās how muchā
ALL:
SHH
HOWARD: āI had to deal with.
SEYMOUR: Yeah, sorry. Itās so true. When you died, your son did have to grow up without a mothā¦ Ooh wait, that was me and no one cared when you died!
BOLEYN: Jane! Chill out! Itās not her fault no one remembers her bland and uneventful life. Babes, honestly, I donāt want it to be weird between us just ācause my beheading has the actual
result of years of trauma and humiliation, and yoursā
ARAGON: Oh, pipe down, Anne! You seriously wanna talk about humiliation? Okay well. When I was queen Henry had not oneā¦ Not twoā¦ But three historically confirmed mistresses.
BOLEYN: Oh my god, mistressesā¦ yā GET OVER IT! When I was queen I had not oneā¦ Not two... But threeā¦! Miscarriages!
ARAGON: Oh, you know what, Anne Bo-loser? I hadā¦ five miscarriages! Someone hold me back!
(The Queens try to calm down both of them)
CLEVES: Okay. Letās just move on, shall we queens? Catherine, itās jour turn babe. Hit it!
(clicks at the band)
PARR: You know what Iām good. Yeah, I justā¦ I canāt keep doing this.
BOLEYN: (laughs hysterically) WHAT?!!
PARR: Sorryā¦ Sorry forā Itās justā¦ (the light hits her) Woah, woah, hey! Could we turn off the uhhā (reffering to the lights) Thank you. Look, I donāt know. Itās just like weāre here, in front of there people, jus being like: ooh, letās see what gets the bigest cheer, trauma or abuse! Wooh! Should we really be doing this?
SEYMOUR: I mean, weāve literally been doing that for the last hour, soā¦
PARR: I know, butā¦ Miscarriages. Really? Isnāt that a bitā¦
(The Queens start making fun of her)
CLEVES: Ooh, someone has conscience all of a sudden.
HOWARD: āOhh, Iām Catherine Parr, I draw the line in arbitrary places, blah blah blahā.
ARAGON: You know what, queens? She just knows sheās not gonna win.
SEYMOUR: So sheās just trying to make us look stupid instead of playing by the rules like
everyone else.
PARR: No, no thatās soā
(The queens start to clap her ironically)
PARR: Okay, okay, okay! You know what, queens? If itās a sob story you want, I will give you one.
HOWARD: Are you sure, Catherine? Are you sure you donāt wanna stick to backing vocals? You know, where you belong?
PARR: No, no. Youāre right, I should sing a song. Itās only fair. Go on queens, take a sit. Go
on. (to the band) Hey everyone, is it okay if we try something a little bit different tonight? (to the lights) Hey! Hi, could I get that beautiful light back? (the light hits her) Thank you. (to the pianist) And Joan, could you give me a cute little B flat major 7?
#8 ā I Donāt Need Your Love (Parr & Others)
PARR: Perfect. So, just for a bit of context: Iāve actually had my fair share of marriages. Something Henry and I have in commonā¦ I guess. Though, unlike him, I did manage to get trough that without decapitating anyone. I know, gold star for Cathy Parr.
(PARR) But the thing is they had this really annoying habit of passing away. So i was dealing with, you know, incapacitating grief and also had to keep finding new husbands to avoid being ostracised. Yeah, Tudor womanhood. Would recommend. And then, one day, finally I meet this guy, Thomas. He seemed like he might stick around for a while. And you guessed it, he turned out to be the love of my live. I know right? We had this plan to get married, actually. Thatās when Henry turned up, single and ready to make an unsuspecting woman his wife. Just my luck. So that was that. I had to write a letter to Thomas, ending things. Dear Tomā¦
PARR:
YOU KNOW I LOVE YOU BOY
IN EVāRY SINGLE WAY.
THOUGH I LOVE YOU BOY,
IāLL MISS YOU EVāRY DAY.
OH I LOVE YOU BOY,
I WISH THAT I COULD STAY WITH YOU
AND KEEP THE LIFE I MADE WITH YOU.
AND EVEN THOUGH THIS FEELS SO RIGHT
IāM HOLDING BACK THE TEARS TONIGHT.
ITāS TRUE, IāLL NEVER BE OVER YOU
āCAUSE I HAVE BUILT A FUTURE IN MY MIND WITH YOU.
AND NOW THE HOPE IS GONE,
THEREāS NOTHING LEFT FOR ME TO DO.
YOU KNOW IT ISNāT TRUE,
BUT I MUST SAY TO YOU
THAT I DONāT NEED YOUR LOVE, NO, NO.
I DONāT NEED YOUR LOVE, NO, NO.
ITāLL NEVER BE BETTER THAN IT WAS, NO, NO.
BUT I DONāT NEED YOUR LOVE, NO, NO.
IāVE GOT NO CHOISE,
WITH THE KING I STAY ALIVE.
NEVER HAD A CHOISE,
BEEN A WIFE TWICE BEFORE JUST TO SURVIVE.
I DONāT HAVE A CHOISE.
IF HENRY SAYS ITāS YOU THEN ITāS YOU,
NO MATTER WHAT I FEEL, ITāS WHAT I HAVE TO DO.
BUT IF SOMEHOW I HAD THAT CHOICE,
NO HOLDING BACK IāD RAISE MY VOICE.
IāD SAY: HENRY YEAH ITāS TRUE, IāLL NEVER BELONG TO YOU
āCAUSE I AM NOT YOUR TOY TO ENJOY āTIL THEREāS SOMETHING NEW.
(PARR)
AS IF IāM GONNA GIVE UP MY BOY, MY WORK,
MY DREAMS TO CARE FOR YOU.
DARLING, GET A CLUE,
THEREāS NOTHING YOU CAN DO.
I DONāT NEED YOUR LOVE, NO, NO.
NO I DONāT NEED YOUR LOVE, NO, NO.
THEREāS NOTHING LEFT TO DISCUSS, NO, NO.
āCAUSE I DONāT NEED YOUR LOVE, NO, NO.
PARR: But the thing is, I canāt say that. Not to the king. So this is goodbye. All my love, Catherine.
PARR:
SO I SENT THAT LETTER TO MY LOVE,
GOT MARRIED TO THE KING,
BECAME THE ONE WHO SURVIVED.
IāVE TOLD YOU ABOUT MY LIFE, THE FINAL WIFE.
BUT WHY SHOULD THAT STORY BE THE ONE
I HAVE TO SING ABOUT JUST TO WIN?
IāM OUT!
THATāS NOT MY STORY, THEREāS SO MUCH MORE
REMEMBER THAT I WAS A WRITER,
I WROTE BOOKS AND PSALMS AND MEDITATIONS.
FOUGHT FOR FEMALE EDUCATION
SO ALL MY WOMEN COULD INDEPENDENTLY STUDY SCRIPTURE.
I EVEN GOT A WOMAN TO PAINT MY PICTURE.
WHY CANāT I TELL THAT STORY, āCAUSE IN HIS STORY
IāM FIXED AS ONE OF SIX.
AND WITHOUT HIM I DISAPPEAR.
WE ALL DISAPPEAR.
BOLEYN: Wait, I donāt get it.
PARR: Okay, look. Why does anyone know who we are?
BOLEYN: My sixth finger?
ARAGON: Put it away, babe!
PARR: Okay, let me put it in a different way. Who was Henry VIIās wife?
BOLEYN: I donāt know.
PARR: Anyone?
THE REST: I donāt know.
PARR: Okay, and who was Henry VIās wife?
THE REST: I donāt know.
PARR: And Henry Vās wife?
ALL: We donāt know.
HOWARD: Catherine de Valoisā I mean, we donāt know.
PARR: The point is, the only reason these people have come here tonight is because once upon a timeā
ARAGON: āthe same guy fell in love with us.
PARR: Right.
HOWARD: Waitā¦ but isnāt there a bigger problem here?
ARAGON: The dissolution of the monasteries?
HOWARD: No. Iām talking about us, ācause as soon as we get together as a groupā
BOLEYN: Everyone notices Jane canāt dance!
HOWARD: Thatās exactly what Iām talking about! We compare ourselves. And when weāre the six wives of Henry VIII, we each become just that.
ARAGON: One of his wives.
PARR: One ofā¦
ALL:
SIX
BOLEYN: Oh my God, I get it! Since the only thing we have in common is our husband, grouping us is an inherently comparative act and as such unnecessarily elevates a historical approach ingrained in patriarchal structures. I read.
PARR: So basically, weāre stuck.
SEYMOUR: What a waste of time.
ARAGON: Like I said, thereās no much we can do about it now.
HOWARD: You know what?
CLEVES: What?
HOWARD: I wish that like, before we spent the whole show competing weād realice it would turn out to be such a mess.
PARR: Yeah, ācause if we had realized then we couldāve done something else, like maybe a fake competition to show everyone how messed up comparing us is.
ARAGON: Then we could have done something else of some cool way to likeā I donāt knowā¦ reclaim our stories or like all becoming the leading ladiesā¦ blah blah blahā¦
BOLEYN: Aww, we couldāve done that as a song!
SEYMOUR: That would really tied everything together so neatly!
CLEVES: If only we though of that beforeā¦
PARR:
THIS IS THE
ALL:
REMIX!
ARAGON:
SO WE HAD NO CHOISE
BOLEYN:
BUT NOW ITāS US ALONE
SEYMOUR:
SO WEāVE GOT NO CHOISE
CLEVES:
NO WEāVE GOT NO CHOISE
HOWARD:
WEāRE TAKING THE MICROPHONE
PARR:
IāM GONNA RAISE MY VOICE
ALL:
THEY ALWAYS SAID WE NEED YOUR LOVE
BUT ITāS TIME FOR US TO RISE ABOVE.
ITāS NOT WHAT WENT DOWN IN HISTORY,
BUT TONIGHT IāM SINGING THIS FOM ME.
HENRY, YEAH, IāM THROUGH TOO MANY TIMES ITāS BEEN TOLD.
AND I HAVE HAD ENOUGH, LOVE STORIES SOON GET OLD.
AND YOU MIGHT THINK ITāS THOUGH
BUT IāVE GOT TO LET YOUR LOVE RUN COLD.
WEāRE TAKING BACK CONTROL,
YOU NEED TO KNOW
I DONāT NEED YOUR LOVE, NO, NO.
NO I DONāT NEED YOUR LOVE, NO, NO.
CANāT LET IT GET THE BETTER OF US, NO, NO.
I DONāT NEED YOUR LOVE, NO, NO.
I DONāT NEED YOUR LOVE
PARR:
Riffs ad lib.
BOLEYN/SEYMOUR/HOWARD:
NO, NO
I DONāT NEED YOUR LOVE
NO, NO
I DONāT NEED YOUR LOVE
NO, NO
I DONāT NEED YOUR
ARAGON/CLEVES:
NO, NO, NO I DONāT. NO, I DONāT NEED IT.
NO, NO, NO I DONāT. NO, I DONāT NEED IT.
NO, NO, NO I DONāT. NO, I DONāT NEED IT.
ALL (+ PARR ad lib.):
LOVE
PARR:
WE DONāT NEED YOUR LOVE
#8a ā Pre-SIX Bams (Instrumental)
PARR: _________, we have a voice. We said, we have a
VOICE!
CLEVES: And you know what? We might just be remembered by being married to the same manā¦
ARAGON: But why does anyone give aā
ALL:
SHH
ARAGON: āwho he is?
BOLEYN: His continental campaigning?
SEYMOUR: His religious reforms?
ARAGON: Well, actuallyā
HOWARD: Now itās not time, Catherine.
PARR: Or do you think it might be, I donāt know, ācause of hisā
ALL:
SIX WIVES
HOWARD: So, _________, before we go, what do you think, are you ready for a royal happy ever after? (Audience reaction)
HOWARD: (serious) Well, we donāt have one.
SEYMOUR: We wish we could tell you our lives had happy endings.
CLEVES: But in reality, they didnāt.
PARR: And thereās nothing we can do to change that.
BOLEYN: Ever.
(They start to leave the stage, but:)
BOLEYN: Oh, wait! This is our show and we can literally have whatever ending we want.
HOWARD: So, _________, seeing as thereās five minutes left of the showā
CLEVES: āweāvedecided to give you our ownā
SEYMOUR: āslightly edited versionā
CLEVES: āof what actually went down all those years ago.
PARR: āCause, after allā¦
#9 ā Six (All)
PARR:
WEāRE ONE OF A KIND
HOWARD:
NO CATEGORY
CLEVES:
TWO MANY YEARS
SEYMOUR:
LOST IN HIS STORY
BOLEYN:
WEāRE FREE
ARAGON:
TO TAKE OUR CROWN IN GLORY
ALL:
FOR FIVE MORE MINUTESā¦
WEāRE SIX
ARAGON:
HE GOT DOWN ON ONE KNEE, BUT I SAID āNO WAYā
PACKED MY BAGS AND MOVED IN TO A N-N-NUNNERY.
JOINED THE GOSPEL CHOIR, OUR RIFFS WERE ON FIRE.
AT THE TOP OF THE CHURCH IS WHERE IāM GONNA STAY.
BOLEYN:
HENRY SENT ME A POEM ALL ABOUT MY GREENSLEEVES.
I CHANGED A COUPLE WORDS, PUT IT ON A SICK BEAT.
THE SONG BLEW THEIR MINDS, NEXT MINUTE I WAS SIGNED,
AND NOW IāM WRITING LYRICS FOR SHAKESY P.
SEYMOUR:
SINCE MY FIRST SON MY FAMILYāS GROWN,
WE MADE A BAND AND GOT QUITE WELL KNOWN.
YOU COULD PERHABS CALL US THE TUDOR VON TRAPPS.
Only kidding.
WEāRE CALLED THE ROYALLING STONES.
ALL:
WEāRE ONE OF A KIND, NO CATEGORY.
TWO MANY YEARS LOST IN HIS STORY.
WEāRE FREE TO TAKE OUR CROWN IN GLORY.
FOR FIVE MORE MINUTES WEāRE SIX.
CLEVES:
WHAT A SHAME THAT MY FACE IT COST ME THE CROWN.
SO I MOVED TO THE
ALL:
HAUS OF HOLBEIN
CLEVES:
IN MY HOMETOWN.
HIS MATES WERE SUPER ARTY, BUT I SHOWED THEM HOW TO PARTY.
NOW, ON MY TOUR OF PRUSSIA, EVāRYBODY GETS DOWN.
HOWARD:
MUSIC MAN TRIED ON AND I WAS LIKE āBYEā.
SO I THOUGH āWHO NEEDS HIM? I CAN GIVE IT A TRY!ā
I LEARNED EVERYTHING, NOW ALL I DO IS SING
AND IāLL DO THAT UNTIL I DIE.
PARR:
HEARD ALL ABOUT THESE ROCKINā CHICKS,
LOVED EVāRY SONG AND EACH REMIX.
SO I WENT OUT AND FOUND THEM AND WHE LAID DOWN AN ALBUM.
NOW I DONāT NEED YOUR LOVE, ALL I NEED IS SIX.
ALL:
WEāRE ONE OF A KIND, NO CATEGORY.
TWO MANY YEARS LOST IN HIS STORY.
WEāRE FREE TO TAKE OUR CROWN IN GLORY.
FOR FIVE MORE MINUTES WEāRE SIX.
WOAH WOAH WEāRE SIX
WOAH OH OH WEāRE SIX
WOAH WOAH WEāRE SIX
FOR FOUR MORE MINUTES
ITāS THE END OF THE SHOW, OF THE HISTO-REMIX.
WE SWITCHED UP THE FLOW AND WE CHANGED THE PREFIX.
EVāRYBODY KNOWS THAT WE USED TO BE SIX WIVES.
BUT WE WANT TO SAY BEFORE WE DROP THE CURTAIN:
NOTHING IS FOR SURE, NOTHING IS FOR CERTAIN.
ALL THAT WE KNOW IS THAT WE USED TO BE SIX WIVESā¦
BUT NOW
WEāRE ONE OF A KIND, NO CATEGORY.
TWO MANY YEARS LOST IN HIS STORY.
WEāRE FREE TO TAKE OUR CROWN IN GLORY.
FOR THREE MORE MINUTES
WEāRE ONE OF A KIND, NO CATEGORY.
TWO MANY YEARS LOST IN HIS STORY.
WEāRE FREE TO TAKE OUR CROWN IN GLORY.
FOR TWO MORE MINUTES WEāRE SIX.
WOAH WOAH WEāRE SIX
WOAH OH OH WEāRE SIX
WOAH WOAH WEāRE SIX
FOR FIVE, FOUR, THREE, TWO ONE MORE MINUTEā¦
WEāRE SIX.
(The queens take their bow. Go to the band and points them. Return to proscenium and:)
HOWARD: _________! Do you want one more song?
(Audience reaction)
HOWARD: Maria, hit it!
#10 ā Megasix (All)
ARAGON: Stay on your feet, _________!
CLEVES: I wanna see evārybody clap your hands!
PARR: But most importantly, get ready to dance!
BOLEYN: Make some noise for Maggie! (Guitar solo)
CLEVES: Big ups for Bessie! (Bass solo)
SEYMOUR: And show some love for Joan! (Keys solo)
ARAGON: And SeƱorita Maria! (Drums solo)
ALL:
ARE YOU READY?
_________, HERE WE GO!
ARAGON:
YOU MUST THINK THAT IāM CRAZY
YOU WANNA REPLACE ME, BABY THEREāS
ALL:
N-N-N-N-N-N-NO WAY
ARAGON:
IF YOU THOUGH YOU CAN LEAVE ME
YOU MUST THINK IāM NAIVE, PLEASE BELIEVE ME THEREāS
ALL:
NA NA NA NA NA NA NA NA
NA NA NOT SORRY
BOLEYN:
SORRY NOT SORRY āBOUT WHAT I SAID
IāM JUST TRYāNA HAVE SOME FUN
ARAGON:
N-N-NO WAY!
BOLEYN:
DONāT WORRY, DONāT WORRY, DONāT LOSE YOUR HEAD
I DIDNāT MEAN TO HURT ANYONE.
SEYMOUR:
YOU CAN
BOLEYN:
L O L
SEYMOUR:
YOU CAN
BOLEYN:
SAY āOH WELLā
SEYMOUR:
YOU CAN TRY BUT IāM UNBREAKABLE
HOWARD:
ALL YOU WANNA
ALL:
DO YOUR BEST, BUT IāLL STAND THE TEST
YOUāLL FIND THAT IāVE
SEYMOUR:
GOT A HEART OF
ALL:
STONE
CLEVES:
ALL ALONE, ON A THRONE, IN A PALACE THAT I HAPPEN TO OWN
HOWARD:
ONLY THING YOU WANNA DO
CLEVES:
TOO BAD I DONāT AGREE āCAUSE
IāM THE QUEEN OF THE CASTLE
GET DOWN YOU DIRTY RASCAL-AL
HOWARD:
ALL YOU WANNA DO ALL YOU WANNA DO, BABE, IS
SING ALONG TO YOUR FAVOURITE QUEEN SONG.
ALL YOU WANNA DO ALL YOU WANNA DO, BABE, IS
LOVE ME, LOVE,
L-L-L-L
(+PARR)
L-L-L-L
PARR:
LOVE, NO, NO.
I DONāT NEED YOUR LOVE, NO, NO.
ITāS TIME TO RISE ABOVE, WOAH, WOAH.
ALL:
WE DONāT NEED YOUR LOVE
āCAUSE WEāRE SO MUCH MORE THAN
ARAGON:
DIVORCED
BOLEYN:
BEHEADED
SEYMOUR:
DIED
CLEVES:
DIVORCED
HOWARD:
BEHEADED
PARR:
SURVIVED
ALL:
WEāRE
SIX!
Last Update:August, 06th 2024